Intro of ai bristi vheja rat e by artcell (linkon)
e ----------- l------------l----------------------0----0-----------------------
B --1-3-0-1 l-0h1-0-0-l-1-333-01-0h1-l----3---3-301-0h1-00-l---
G ----------- l------------l-----------------------------------------------------
e-0-0-h1------------------------------------------------------------------------
B ---------310—13s5—l--5s6-66-5s6-5-1-3-0-1-l--3---1--3----1-0h1-0--
G --------------2----------l------------------------------------2-------2-------------
chords
Am………………………..Dm
Ai bristi vheja rat e,tumi nei bole
G…………………….E…..
shomoi amar kate na
Am……………………………….Dm……….
Chad keno alo dei na,pakhi keno gaan gai na
G……………………………………...E…..
tara keno poth dekhai na,tumi keno kache aso na (2)
B ---------310—13s5—l--5s6-66-5s6-5-1-3-0-1-l--3---1--3----1-0h1-0--
G --------------2----------l------------------------------------2-------2-------------
chords
Am………………………..Dm
Ai bristi vheja rat e,tumi nei bole
G…………………….E…..
shomoi amar kate na
Am……………………………….Dm……….
Chad keno alo dei na,pakhi keno gaan gai na
G……………………………………...E…..
tara keno poth dekhai na,tumi keno kache aso na (2)
Am..Dm.G…E……. Am…..Dm (Dm as brush)
Am……………..Dm
somudrer joro hawa bole,
G………………………….E…..
tara tomake chai,tara tomake chai
Am…………….…..Dm
pakhir mridu konthe bole,
G…………………………….E…..
tara tomake chai,tara tomake chai
Am……………………………..Dm
ai soroteri sondhai tumi nei bole
G…………………….E…..
shomoi amar kate na
Am……………………………..Dm
ghashful keno fote na,chuye chuye jai na,
G…………………….E…..
megher vhelai vhasai na,tumi keno kache aso na
Am..Dm.G…E……. Am…..Dm (Dm as brush)
Am…………………..Dm
Jhore jawa sob osru bole,
G…………………….E…..
tara tomake chai,tara tomake chai,
Am…………………..Dm
ridoi e joto onuvhuti ache
G………………….…….E…..
tara tomake chai,tara tomake chai,
Am……………………………..Dm
ai bosonter e sondhai ,tumi nei bole
G…………………….E…..
shomoi amar kate na
Am……………………………..Dm
prithibi keno hase na,ridoi dola dei na,
G…………………….E…..
abesete jorai na,tumi keno kache aso naa
Jhore jawa sob osru bole,
G…………………….E…..
tara tomake chai,tara tomake chai,
Am…………………..Dm
ridoi e joto onuvhuti ache
G………………….…….E…..
tara tomake chai,tara tomake chai,
Am……………………………..Dm
ai bosonter e sondhai ,tumi nei bole
G…………………….E…..
shomoi amar kate na
Am……………………………..Dm
prithibi keno hase na,ridoi dola dei na,
G…………………….E…..
abesete jorai na,tumi keno kache aso naa
Am…..Dm
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Guys gaan ta amar onnek onnek priyo ekta piece…atto gai tao pran vore na….So far so good
jara notun tara Dm er jaigai false F (003210) r G er jaigai C korte paro
so , Dm= F (003210) & G=C
jara notun tara Dm er jaigai false F (003210) r G er jaigai C korte paro
so , Dm= F (003210) & G=C
Boss..strmmng ta catch krte partcna.so,jdi ek2 ble dten
ReplyDeletevai sturming ta ekto bolle valo hoto
ReplyDeleteThe most step worried in writing music lyrics is determining the audience and the patternsOf song they experience. this facilitates in setting the situation remember, permissible language and the content material for the lyrics. the selection of a primary, over-arching subject matter then determines the general content material of the song. the method of writing lyrics involves brainstorming concept which results in composing the center statistics and factors relevant to the lyrics' storyline. a few lyric writers write and refine their lyrics each day, which improves their lyrical content material.
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The most step worried in writing music lyrics is determining the audience and the patternsOf song they experience. this facilitates in setting the situation remember, permissible language and the content material for the lyrics. the selection of a primary, over-arching subject matter then determines the general content material of the song. the method of writing lyrics involves brainstorming concept which results in composing the center statistics and factors relevant to the lyrics' storyline. a few lyric writers write and refine their lyrics each day, which improves their lyrical content material.
ReplyDeleteVisit Now